Have you ever wondered why exhibition spaces are sometimes a little bit dark? Why objects are displayed in the way that they are? How an exhibition is even put together in the first place? Conservator Lucy Angus will explain the stages of preparing and installing our current exhibition ‘Connecting Stories.’
Six months ago I met the British Library Curator Penny Brook who had the difficult task of choosing over 100 objects from collections held at the British Library and Library of Birmingham which would help tell the story of our British Asian heritage. Once Penny had come up with her wish list of objects for inclusion for the exhibition, I was then presented with the objects which included a rare 19th century board game reflecting Britain’s trading interests in Asia, 1940s police reports on meetings of the Indian Workers Association and India League in Birmingham, photographs showing protests and counter-protests in 1960s and 1970s Britain amongst others.Upon looking at the objects I had to determine whether the objects were fit for display and what conditions would need to be in place to make sure that the objects were cared for and did not potentially suffer from being displayed. Some factors I considered were the condition of the objects, whether the objects were to be displayed in a case or framed and the potential exposure to light over the course of the exhibition.
Most objects I was shown were thankfully in a good condition and required no conservation treatment. Only a few objects required minor repair with a colour drawing of an Engine House for His Highness the Nabob Vizier of Oude (MS 3147/5/616) requiring the most conservation treatment which included surface cleaning, repair and filling in losses with a sympathetic paper to the original. Continue reading