Tag Archives: Library of Birmingham

The Cervantes Collection

Part of the Cervantes Collection

The Cervantes Collection is the second oldest Special Collection in the Library of Birmingham. The original collection of 1,500 books was donated by William Bragge (1823-1884), a highly successful, much travelled and cultured businessman, who, prompted by the setting up of the Shakespeare Library in 1861, gave his Cervantes books, the most important part of his extensive collections, to the city of his birth.

Son of a well-known jeweller, Thomas Perry Bragge, in Birmingham, William Bragge studied mathematics and mechanics and practical engineering, training as an engineer and railway surveyor. He started work at the Birkenhead Railway in 1845 and then spent much of his life in South America, where he built gas-works, railways and waterworks for Buenos Aires and had the Order of the Rose conferred on him by the Emperor of Brazil. He also visited Spain frequently, and it was probably these connections which led to his particular interest in Spanish literature and the writings of Miguel de Cervantes (1547-1616).

Smollet’s Edition of Don Quixote

Cervantes was a novelist, playwright and poet and the most celebrated writer in Spanish literature. He created the character of Don Quixote, an elderly gentleman who sets off from his home, La Mancha, with his servant Sancho Panza to undertake chivalrous acts and has many rather ridiculous adventures. Thanks to numerous translations, extensive literary criticism and adaption of the story into art, drama and film, Don Quixote is recognised throughout the world. Continue reading

Why not come along to our second Heritage Research Area Familiarisation Session?

The Heritage Research Area on Level 4 of the Library of Birmingham

Would you like to learn how the Heritage Research Area on level 4 could benefit your genealogical research?

Meet experienced staff at this free event which will act as a general beginners’ guide to resources such as maps, electoral and parish registers as well as digital resources on Ancestry Institution and software for reading local newspapers.

Spaces are limited to 12 people per session. Please email archives.heritage@birmingham.gov.uk or speak with a member of staff on level 4 to make a reservation.

Saturday 16 September 2017

11 am – 1 pm

Please note this session is not aimed at answering specific genealogical enquiries.

 

Heritage Research Area public familiarisation session

Staff in Archives & Collections showing how to use genealogy resources

Wednesday 28 June, an otherwise drab and overcast summer’s day was witness to the inaugural Heritage Research Area public familiarisation session between 11 am – 1 pm. The Heritage Research Area is typically the first port of call when visiting Archives & Collections based on level 4 of the Library of Birmingham. It’s the area where you are able to access the vast majority of the section’s printed resource materials without an appointment, at any point during the library’s core opening hours of 11 am  – 7 pm Monday & Tuesday and 11 am  – 5 pm Wednesday to Saturday.

The session was amongst many things an opportunity for Archives & Collections to reach out to the community and raise awareness of the services we offer and their relevance to the wider community. Such opportunities have been few and far between since the library experienced a restructuring of its staffing levels back in 2015, but the event was a means of raising our profile and making people aware we are still here with a commitment to offer a professional, dedicated and friendly service.

The session was well attended with up to 15 participants although we had originally planned for 12 attendees, such was the level of demand. We relied upon the Library of Birmingham website – www.libraryofbirmingham.com along with Twitter, literature on display around the library and good old word of mouth to promote the event.

Some of the resources guests will be more familiar with following the session

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Looking after the golden jewels in the Library of Birmingham’s crown

As one of the UK’s most iconic contemporary buildings (currently being honoured by appearing on a first class stamp no less!) the Library of Birmingham contains some amazing, precious and unique things. Some highlights include Shakespeare’s first folio, Audubon’s Birds of America, a small drawing of a kettle by James Watt, photos of models from Pre-Raphaelite paintings to our oldest surviving document from 1150’s , but have you ever wondered how these items are cared for? What the ‘Gold’ part of the building is? Conservator Lucy Angus explains.

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As part of the Archives & Collections team my job is to care for the archival and special collections. A major part of my role is collections care. Collections care, which is sometimes called preventive conservation, involves any actions taken to prevent or delay the deterioration of cultural heritage. This could be anything from advising people on the handling of original documents, to making sure environmental conditions such as temperature and Relative Humidity (RH) are stable and are at the correct levels, to how something is packaged!

The collections held here are varied and vast containing every material type and size you can imagine! This ranges from miniature books to enormous maps, parchment and seals, photographs, paper and even a sitar! Therefore storage is a very important and vital part of keeping the collections safe for the future.

Watt’s Kettle. One of the priceless treasures held in the archives

 

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Exciting Photography Exhibition in Birmingham!

Virtual reality and Archives? Maybe not so far away – indeed, maybe right here in Brum in the Waterhall of Birmingham Museum & Art Gallery!

An intriguing exhibition, Thresholds, curated by Pete James and Matt Collishaw enables you to experience the exhibition of William Fox Talbot’s photogenic drawings at the Annual Meeting of the British Association for the Advancement of Science held in Birmingham at King Edward’s School, New Street in August 1839.

Charles Barry’s drawings of Birmingham Free Grammar School on New Street, Birmingham, 1833.
[MS 575 Acc 2012/013]

Put on the headset and backpack and you’re standing in the school hall, can view the drawings in display cases – and even lift them to look closer, feel the fire, hear and see the Chartist protestors outside the window – amazing. Chartist riots had taken place in the Bull Ring just a few weeks before and Fox Talbot requested that the Birmingham Literary and Philosophical Society acquire the display cases in order to protect his drawings from possible protestors.

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Canada

MS 3219/4/277

On 1 July 2017 Canada celebrated the 150th anniversary of Canadian Confederation, when Canada became a self- governing dominion within the British Empire.    

Archives and Collections, Library of Birmingham, holds records relating to Canada which are much older, to be found, perhaps surprisingly, in the papers of James Watt and Family (MS 3219).

Aside from the fact that Boulton & Watt provided steam engines for boats of the Hudson Bay Company, there are records more personal to Watt, those of his brother-in-law by marriage, Captain John Marr, military surveyor (d. 1787). He had married Agnes (Nancy)  Millar, sister of his first wife Margaret (Peggy).  Marr was also the son of Watt’s mathematics teacher in Greenock and accompanied Watt to London in 1769, as he was going to train as a naval instructor when Watt was seeking training in mathematical instrument making.

John Marr had served in Canada from 1761. A memorial (petition)to the principal officers of His Majesty’s Ordnance requesting an increased allowance, 20 April 1768, gives details of Marr’s career in Canada to that date [MS 3219/4/275/2]. Marr obviously returned to Scotland some time after that and married. He and Nancy sailed to New York in 1774. A letter from John and Nancy to Betty Millar, another sister, (Glasgow) dated 15 November 1774 informs her that they arrived on 21 October. Nancy had apparently suffered a miscarriage in September, but had recovered. They were laying in stores of vegetables and stocking up for the winter. Nancy wrote that there was only salt fish and rum to be had there. They would not be able to receive mail until they reached Canada. Marr had sent fish to James Watt in Glasgow and he would get caulkers [spikes] for Nancy’s feet to stop her falling on the ice.

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The Drum

The Drum Archive in the stores at the Library of Birmingham

Hi! I’m Davinia. I’m studying for a PhD in Sociology at Warwick University. I recently joined the archives in the new, voluntary position of research associate, and I’m working with the newly formed archive from The Drum arts centre, which sadly closed just over a year ago, at the end of June 2016. My project’s working title is called Learning from The Drum: Toward a decolonization of the arts in the UK.

The Drum

For any who may not know, The Drum was originally conceived in a series of conversations in 1986, then existed in a number of iterations in The Cave and The Big Peg until it was established in its Newtown building in 1995. The building was originally endorsed by the City Council as part of a series of ventures, intended to achieve social and economic gains for that part of the city. It was also created to provide an inclusive creative space for the city’s African, Caribbean and South Asian populations. In 2015 it celebrated 20 years of service to its local community and to the arts of the UK. But in March 2016, six months into this PhD and, incidentally, half way through Arts Council England’s creative case for diversity, The Drum closed its doors, and the consequences of this are yet to be fully comprehended.

The Drum closing its doors

Why Am I in the archive?

My project, now half way through, has changed a lot since it was proposed in 2015. Originally, it was to focus on how The Drum was working as an arts centre. I was to collaborate with Drum staff in using the archive of ephemera within the building to create an online platform that would help to connect the local population with The Drum’s history. I would then conduct interviews and workshops with staff, artists and audiences to discover whether and how engagement with that history served to connect people in the city to the place in which they live. Given the changes that have occurred, my project now aims to preserve the history of the organisation. I also want to understand what happened at the Drum, including its closure and the broader implications of this for the arts of Birmingham and the wider UK. This is where the Archive comes in.

Collating & Housing an Archive

When the Drum was closing, the staff, including me, were in constant contact with Corinna Rayner, Manager of Archives & Collections at the Library of Birmingham, and together we embarked on the project of boxing up and labelling the Drum’s ephemera for storage. It came to over 200 boxes! Archives & Collections thankfully agreed to house The Drum’s archive, and the boxes arrived into the loading bay; a time of incredible relief for me. The Drum’s loss would leave a huge gap for many people, myself included. Once the archive is catalogued and made public, hopefully there will be a way of remembering all of the great work that it created and showcased over the years.

Following storage of The Drum’s archival material, my project is now also concerned with how the collection could best be made accessible to the centre’s former local and national audiences, and with connecting the history of the organization to other local histories, as well as to wider national and international histories. Thinking through this process is part of my project’s analysis.

Stay tuned for future blog posts on what I find as I root through the archive!

Davinia.